hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.

that future starts right here with the release of the check point ep and a title track that thunders straight out of the blocks with its steamroller kick drum and mighty bass synth. wade then strips things back, rolling out pulsing bass and percussive vibes on dark shadows before dropping more imperious drum work as he closes the ep with sunday in the sky.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

aus follow up huxleys debut career album and gerry reads >3 2 1 ep<with their 72nd release and the first contribution to the label from toronto born bwana. the leeds based producer expands on the amorous brand of bass hes built his reputation with and turns in his >flute dreams ep< an iridescent packet that sits comfortably in big room spaces and comes bolstered by a remix from simian mobile disco.

it has been local talk bosses mad mats & toolis secret weapon during their dj sets over the past months and have destroyed clubs from london to berlin. with a super catchy chord theme, bumpy 4/4 beats and a slight uk feel this is as bad as it gets. it is just one of those tunes you immediately recognise and can relate with. together with a deep journey house remix from ad bourke and a fierce uk inspired bass/house mix from colognes hade we dare to say that this is one the finest releases on local talk so far. original bristol cat crackazat (now residing in uppsala, sweden) got a sound that fuses jazz theories, electronic 4/4s with a deep uk underground mentality. think underground resistance meets floating points and your almost there. somewhere else is the second single from crackazat on local talk and in early 2015 he will drop his debut album crescendo on local talk.

to pretend with a compact production, filled with guitar riffs, catchy melodies surrounded by a haunting bass, incredible electronic atmospheres, his new project stalker shows his concept of pop music. memories of people passing by, visions of nights to come. a retro pop approach to everydays life. music with a reason and a meaning by a man of mystery, passion and a brilliant mind. music with a reason.

sync 24 aka phil bolland is taking a break from his cultivated electronics label to get some well deserved binary treatment. starting out on andrea parker’s uk electro imprint touchin’ bass, phil has consistently produced electro of the highest caliber, be it his solo efforts or remixes for morphology and exaltics to name a few. twilight zones - 4 tracks of raw electro with an experimental approach, pushing the genre into what can only be described as ice cold circuit bent funk.

a new vinyl-only imprint,
* made in soho* with a double a-side from uk house maestro mr. g - a long-time friend who has supported the store for the last two decades.
the a-side starts with a driving beat, over which sultry chords hang and build. the introduction of a spirited vocal loop gives the track a more melancholic feel, all underpinned by a great bassline that ensures the track never loses its soul, depth and funk. on the flip, * buff zenky* heads into much tougher territory. the track builds with thumping kicks and those trademark * g* hats, along with a chopped vocal, tight looping bass and swinging claps. a sparse but highly effective layered synth completes a cold-blooded package - perfect for those late nights and early mornings. an excellent first release for made in soho, displaying a thoroughly current approach whilst never forgetting the deep, soulful veins that run through its racks.

a loving tribute to the early european techno often known as bleep n bass. essentially the first original techno sound of europe, pioneered by legendary labels like warp and network and generally centered around the yorkshire area, circa 1990-1991. out on a very limited (100 copies), hand-numbered white 7 inch vinyl.

the second 12- single from echospace in 2014, engineered and mixed down from 1/4- analog tape and mastered by the talented fellas at alchemy mastering in london, focusing and enriching every finite detail. -fading lights,-, a vortex of analog warmth provides a provocative synergy pushing the boundaries between synthetic and organic movement, a sonic illusion. these enthralling hypnotic moments lead us into the seduction of groove with, -magenta- a lesson in space and bass. the art of restraint is clearly on display as one feels as they are floating in zero gravity for an extended 14 minute journey which leaves you feeling as though only a moment has gone by, sonic submersion of the highest order. this is music to drift out, to float in, to dream thru, to love to, the magic is in the mystics. essential! only 1 per customer

continuing a strong line of afro inspired works, men like pedestrian & jasperdrum drop another scintillating technoid excursion on 2nd drop. deeper, moodier with dynamically carved esoteric angles, *origins* moves forward from the superb kalakuta, the afrobeat meets bass music bomb supported by giles peterson, scuba, midland, mr scruff and many more, from last year, to deliver a heads down destroyer. off kilter, wonky and expertly crafted, pedestrian & jasperdrums *origins* is pure class, led by a host of syncopated percussion, haunting flute lines and distorted vocal samples, this is what fela would have sounded like if he had teamed up with carl craig in 2014! on the flip we welcome alix perez, best known for his dnb production but widely talented as shown by his arp101 outings on the likes of eglo. here, alix takes the tools to kalakuta, transforming the originals afrocentricity into a tense, punchy roller, dominated by a bass line which literally jumps in to your ears. toss in a stabby synth line, rifle shot drums and plenty of bass with space, this a beautifully crafted refix.

red rack em is a name well known to wolf fans as he launched the first wolf white release with his deep house classic in love again. he is a master at reworking dusty grooves into peaking house bangers. that is the best way to describe this ep too. do or die is a straight up peak of the night disco jam. big sample, big bass, big track. ooh ooh ooh leans on the soulful side of his sample selections and its wonky but funky composition never fails to turn heads. the final track live at music hall is straight up deep. so, something for everyone, no messing.

the wondrous odd appointment quartet (john swing, marieu, emg and lucretio) returns with 4 tracks of sleazy urban funk cut directly from outdated ferrous tape. a plastic torpedo crafted with household hardware engineering, shuffling mid-west cracks and british breaks with sinked bass and vitrolic disco balls.

nick curly s first truesoul release is outstanding. this collection of three track s encapsulates both nick curly s and truesoul s ethos and moulds them into a driving house machine. first off, crossroads uses a delicate melody that is under-lined with lashings of driving drums. trust shuffles along with it s rolling percussion and bass line whilst indigo child is just as funky and will get any dance floor fired up.

uncanny valley and permanent vacation are joining forces for an uncanny vacation! there has always been a lively exchange between dresden and munich and both labels are known for releasing a wide variety of music so it was only natural to team up for a joint release. the record starts off with permanent vacation-regular and uk-veteran dmx krew and his “astro logical” which is as sharp and crisp as electro can go. the bass line strikes hard but he also squeezes some great melancholic synth lines out of his machines. after that, uncanny valley’s sandrow m finally gives access to the much in demand live version of “prayervan”, a tune that everybody has been singing along during his live sets. on the flipside, jacob korn (who already released on both labels) hands in “eieiei” which rises on a percussion-heavy drum basement to a discoid house stomper thanks to an irresistible sample straight from an obscure flea market find. last but not least, drvg cvltvre from the netherlands delivers a tropical house jam. “see you again” is riding on a funky disco bass line and creates a warm and cosy atmosphere with a whole bag of sound ideas. alexander dorn aka credit 00 adds his graphical talents to the record’s sleeve with a brilliant tribute to 1990s adventure video games.

the sphere is a new mini-series within the nachtstrom label consisting of seven parts. the series will be produced by nachtstrom regular bjoern torwellen and his partner in crime cortechs and contains a number of outstanding dark and bass-heavy techno rollers in the best tradition of the infamous german imprint. part 1 will be coming on smokey marbled vinyl!

two decades ep sees london producer missing join the fold for the fourth installment of five folds mandate: releasing quality dance music free from genre and tempo constraints. hailing from the heady days of the uk jungle scene circa 94, followed by a host of releases as one half of the breaks duo c83 throughout the noughties, missing re-emerges on the scene with four dancefloor fillers spanning uk bass house, garage/ jungle grooves and vocal deep house.

know widely for delivering no nonsense dance floor weapons of the highest quality, one records pull out the goods once again with a double hitter from acid mondays. back on board the label since their standout remix of andrade was released earlier this year, this time they offer their unique production skills with schlurptastic and dohec. on the b-side bass culture boss djulz brings two sterling remixes to the table

limited to 320 numbered copies.
if *the wanderer* was the record that brought romanthonys obscure blackmale label to a wider dj audience, *testify* was the release that cemented its reputation as one of the labels to check for in the us import section. here are brandnew remixes: jimmy edgar, in true blackmale style, takes romans original chops it in his sampler and lays the results over a thundering distortion tinged beat. it is proper raw jacking business, perfect for small dark rooms with a few hundred sweaty bodies. waifs & strays deliver a brilliant modern update complete with an air-punching sax solo (something that was definitely one of the nails in the deep house coffin the first time round and the kind of thing that could get you shot if you used in the 00s). illyus & barrientos deliver what is arguably their strongest remix to date dropping snips of the original over a quite brilliant bassline groove. ed one & boddenalso opt for some bassline action but add in classic organ stabs and todd edwards style vocal chops to their big-ass bass wobbler. lastly, we have the previously unreleased cd#9 vocal version which as usual, features one of romans deeper, more organic mixes.

the krause-care from philpot-ish tones is delivered by soulphiction in the form of five songs that are

after the success of their first release charmin are back with another high quality wax. this offering showcases the talents of florist and close friend of the imprint tilman, all pressed up on heavyweight vinyl with a lovingly designed cover. the ep kicks off with “proof nothing” which is a statement of intent. deep, churning piano chords overlaid with delayed vocal samples all underpinned with a solid beat and deep bass. next up “raw” does exactly what it says on the tin. this is a stripped down thumper with crunchy claps and an infectious groove. “once again” has a looser, more percussive feel to it with machine gun snares rattling off overt the top of a killer chord line. bringing things to a close is “mood swings” which builds brooding atmospheres and eerie vocal snippets. all in all this ep carries on the good work of this exciting new label. charmin continues its journey to bring you uncompromising, underground house music of the highest order.

bristols kowton turns 3 tuned works for whities. def aimed at the floor - resonant and bass heavy.tip! played by joy o in his essential mix and early support from ben ufo and bake all caps.

this e.p. sets out to honor to spring wherever and when it may happen. it arrived early for our location the year it was first created. *furuike ya - ancient pond* was the original title. this is taken from an ancient haiku by matsuo basho. the remix for *ancient pond* was created by jason drummond (aka dj spun) from rong music nyc. this rework of the original adds a funky twist to the beats and bass line. *electric sheep* is taken from the philip k dick book including this portion its title. the theme of this track hints on the nature of our creations and the future possibilities. this particular version contains only the 303 melodies/elements of the original, which is set to be released in the next ep to follow. pressing on transparent, blue colored vinyl.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
oslo-based, icelandic producer, b.g. baarregaard, returns to whiskey disco for his third solo ep, disco inn. the title song features a talented roster of icelandic-via-oslo musicians. inga Þyri coos blissful harmonies atop a deep groove comprised of electric guitar chucks by sigurður guðmundsson and organ and bass by baarregaard. this deep groove will work those balearic moments to-a-tee. on the reverse, undercover lover exposes rnb style vocals, delayed claps and bass groove on the outside cut and country style guitar sitting comfortably next to 303 acid on the inside for kaffibarinn, an homage to the legendary reykjavik music venue.

finally, the right time has arrived! we are very excited to announce our brand new concept >tzinah on black<, represented by an authentic collection of mind-boggling grooves that are about to be released exclusively on wax. for the very first edition we are glad to divulge to our fans 3 tracks that resemble in depth the tzinah sound. from the top of our heart, we have grabbed crocodile soup, who, after the memorable tzinah showcase in berlin, went back to the studio to express all his feelings in >those magic moments<. faster makes his presence felt once again in our camp, bringing along a bunch of heavy bass and deeply mesmerizing drums that we can feel in his hypnotic trip that bares the name >vrei, nu vrei<. finally, the mystic duo of felipe valenzuela and jkco mosqueira is unafraid to take us for a ride on an enigmatic groove through unknown places, leaving us in a state of >inexacto<. will we drop this one in our main set or keep it for the after-hours? so, get your shelves ready, get your bags ready, and especially, get your turntables ready! >tzinah on black< is coming on vinyl only! from tzinah with love!

funkin with the drums again- sees the legendary producer and wbmx disc jockey farley -jackmaster- funk turning in some absolutely killer jacking drum tracks, chicago style. each track is an essential dj tool that has it all, italo disco inspired bass-lines, skittering drum machines, eerie analog synthesizer melodies and of course, farleys trademark percussive vocal stabs punctuating the mix.

limited nice price action
fc kahuna return to the fray with a long summer remix of last years top ten hit five years time by noah and the whale. an odyssey of lo fi dusty synths, live bass, glockenspiels and strings - a low slung 122 bpm groove with big bursts of sunshine. dj/chart support from the likes of aeroplane, prins thomas, the glimmers and lee burridge, as well as radio 1 plays from kissy sell out, rob da bank and pete tong plus record of the week on the queens of noize bbc 6 music show.

limited nice price action
monster electrohouse club ep produced fred pellichero. this is an exclusive ep from royal flush including remixes from sandy vee (joia rec), dim chris and yohanne simon. dirty vocals, hot bass, killer kicks, we have a massive track here that may become this summers hottest ep. playlisted and charted by david guetta, antoine clamaran, sandy vee, cirez d, steve angello, sebastian ingrosso, axwell, mischa daniels, joachim garraud and many more. definitively, a must have.

second vinyl installment coming from rotterdams longstanding bass party and recent label blendits offering two prime cuts of forwarding thinking drum & bass.

the 4th 12inch from the playground is a 4 track ep featuring 3 original and precise cuts from the uk don along with a remix from roger that on the b side. on the a-side ellis mixes minimal house and techno with driving bass lines, comforting key stabs and tight snares. the b-side offers a slower vibe with a funky feel, including a remix from roger that. vinyl only and limited release.

austere make a welcome with a various artists four tracker. featuring four varied cuts ranging from techno tinged house to bass heavy beatdown! life recorder kicks things off in his own unique style which never disappoints. next up is arnheim, a newcomer with a very mature sounding jazzy house number. gradul lashton takes things back into house territory with an infectious 303 laden groove. finally, fat dog comes and drops the tempo and the bottom end with a sublime track to finish.

meda fury welcome ol from moscow, russia. following many varied contributions for labels such as faces, fine grains, phonica and capital bass.

cosmic disco ensemble midnight magic find their way on to the ever adaptive soul clap imprint for their next release. -viscous love- is a 5 track ep which see the magic ones explore the more spaced out corners of the disco universe. the ep starts with the funked out, slap-bass heavy, night flight before weaving its way to the more slo-mo pitched down viscous love and pick up , the later showcasing some synth work that parliment would be proud of. trouble t and electic shock finish the ep with aplomb, electric shock being one of the stand outs of the release with its driving italo-disco bass line.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

tsyn vol. one. 2 million subscribers. now the album! the finest in future bass, deep house, future garage, chillwave & more! (2 x unmixed vinyl incl. download)

bas mooy steps up for his debut ep, after his superb rework of hans bouffmyhres easy meat track last year. bleeds & shanks are both upfront, no nonsense techno tracks with a raw distorted vibe. for remixes we have two glasgow based artists! firstly, hans returns the favour with a bass heavy and hypnotic remix of bleeds. edit select makes his first appearence on sleaze after his flawless album on prologue music. he does what he knows best with a deep, druggy remix of bleeds

label head vohkinne steps up to the plate again with the sweaty and headstrong 3 rd release from atrophic society, creole rhythm. its concrete rhythm, combined with an analogue lead riff stirs echoes of warehouses, insistently driving forward, mindful of where its been. tripeo remixes the title track with gusto and flair as weve come to expect, staying faithful to the riff whilst aggressively re-paving the rhythm, offering a slight twist on the original idea. rounding out the ep, be like the sun removes the rhythm to focus on tone, frequency, shades of sub bass and saturation

locked groove marks his return to hotflush with the grandiose, puzzlingly-titled >enigma<. its a colossal record whose bass-centric melody looms large. large enough, even, to inspire what is nowadays a rare scuba remix. a counterpoint to these theatrics comes in the way of wandering in a cage, a broken-beat creeper flaunting the belgians ear for subtlety, and two beatdown versions of the title track that fit neatly into your dj toolbox.

memory is the new solo ep from wys! co owner and resident jacob husley.the originals warm atmosphere is broken up by a darker bass stab, a dreamy vocal floats on top of the underlying bouncy sub bass. the track builds and breaks finally dropping into a harder groove with busy 909 claps sprayed on top. glimpses remix strips the track down and adds his own trademark warm dusty kick drums and percussion. the vocal gets pitched down, resulting in one of those special tracks that can be dropped anytime guaranteed and tested to groove and get the dance floor moving.

eatbrain is back with a vengeance. this time around, jades quickly rising neurofunk label features the enigma known as kung. all at once infamous and elusive, kung has managed to retain a reputation as one of neurofunk drum & bass most exciting producers while maintaining a relatively low profile for the last few years. his tenacity in the studio and unique musical vision have made kungs label debut - devils finger ep - one of eatbrains most highly anticipated releases to date.

another vinyl installment from rotterdam based citrus recordings. hard hitting drum & bass just as you like it. heading up the 12inch we find ukrainian drum & bass prodigy nick bee delivering massively on iridium.the waspy bass sounds and bouncy drums make this a real floor filler and an excellent addition to your neuro sets. we continue with coincidence by an up and coming duo from lincoln, uk! soligen & type 2 have recently been conquering the scene doing split releases with the likes of state of mind and bcee. if you havet heard of them, perhaps its time you did. naughty full on techno flavored beats for the get down crew, best not to sleep on it!

oslo is happy to welcome new artist federico lijtmaer to the family with his wonderful ep impermanencia. inpermanencia on the a-side is a superb deep house track with the right kind of funkyness for the cool. federico combines smooth bass with shifty drums and classy synth action. this track will conjure a smile on your face and we are happy as hell to be able to release this little gem. unselfish on the b-side is as funky as its big brother on the flip-side. a throwback to bygone times in a way, if you consider labels as mosaic or trelik. however, federico definitely succeeded in terms of a modern interpretation. the inclined listener will recognize his musical roots anyway.

• emetic dna is a new vinyl only sub label from emetic and martyn hare
• proper dirty dancefloor techno of the highest order
• comes with free sticker...

emetic dna is a new vinyl only sub label from emetic and martyn hare. taking inspiration from its roots in hard, intense techno and pushing it forward with innovative thinking and analogue machines.
the a-side twists an insane synth line alongside beats that could kill a horse while the aa-side relentlessly pounds your brain with snares and your colon with bass. proper dirty dancefloor techno of the highest order…

limited edition of 500 handnumbered copies.

we are very honoured to welcome the cologne-based producers hade + gutta to the local talk family. their debut release marks a further development of the local talk sound, balancing between house & bass. the ep kicks off with *nothing wrong*, a track built around a bouncy bass riff that lingers and weaves around a clever vocal splicing. *in me* continues where *nothing wrong* left off but adds more depth and ingenious stabs, it is a 100% bouncing track for sure. ending the ep is hades solo number *baphome*. a bass fuelled floor packer with nicely interwoven synths and a hypnotic house groove that remains present throughout the track. in conclusion - a garage-esqe belter with the right amount of wobbly bass to satisfy all your dj & dance floor needs.

special 2017 repress
re-igniting the dancefloors twenty years after its original release, steve bug refreshes this classic chez damier production originally from 1992. can you feel it is one of those classic new york / chicago house jams that just defines a moment in dance music history. dessous label boss steve bug arranges two special mixes that celebrate and re-juvinate this very special record. steves straight up remix maintains the classic vibes with a sensitive 90s themed rework that calls upon clean, fresh drums and smooth sub bass as its initial building blocks. the instantly recognisable vocal is included, as is the hey-day chord vibes and glorious us house melodies. simply deadly in the right moments. a re-dub version is also included that spaces things out and opens up the strings in a breezy and superbly mixed club tool. a new york dub has also been included, dug out from the chez damier vaults and re-mastered for 2012 - highly prized vibes on this and his trademark, pushing, swinging drums keep us going on and on!

no nonsense drum & bass classics that have been tearing down clubs for the past 20 years.

this is potion number one. murat tepeli is known for a style of house music that is rooted in the formative years of house, without any nostalgia but absorbent of the here and now. on this ep, he showcases his love for bass and what he considers fun on the dancefloor.

the very first release is by montreal based artist, stefny winter who emerges here with a wonderfully crafted tuned project. slightly stripped down but at the same time, providing a low end, fizzle bass, winter pushes hypnotic rhythms with a not so subtle smirk. a wink to audion, or a perlonesque aesthetic, this ep ensues a groovy moment as well as heartily groove.